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    <lastmod>2021-09-21</lastmod>
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      <image:title>Reviews - On the album BUGGIN’ by Q Brothers</image:title>
      <image:caption>“For 15 years...a fixture at Lollapalooza’s Kidzapalooza [and at Austin City Limits’ Kiddie Limits] where they’ve entertained and enlightened thousands of kids (and their parents)...This is not dumbed-down-for-kids hip-hop; this is bona fide old-school rap with all the style, flair and polish...“This is real hip-hop.”...it speaks to [kids] while, also speaking to the parents in double entendres and wordplay and all the sophisticated parts of ’90s hip-hop lyricism.” - Chicago Sun Times</image:caption>
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      <image:loc>https://static1.squarespace.com/static/614a50c7455df918f8f710d2/t/614a6ed5b9dba0193ffc87c5/1632267999649/misanthrope_innaugural01.jpg</image:loc>
      <image:title>Reviews - On Moliere’s THE MISANTHROPE</image:title>
      <image:caption>Directed by Lucie Tiberghien "Choose a classic text—preferably not too long, preferably funny—get good actors to perform it into their devices, and voilà...Much drama ensues, doused by Alceste’s buddy Philinte (Postell Pringle)  -The New Yorker</image:caption>
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      <image:loc>https://static1.squarespace.com/static/614a50c7455df918f8f710d2/t/614a6f57076ea03c639b27b1/1632268135626/christmascarol.jpeg</image:loc>
      <image:title>Reviews - On Q Brother’s Christmas Carol by Q Brothers Collective (GQ, JQ, Jax &amp; Pos)</image:title>
      <image:caption>For 80 minutes, the Qs...take us on a cyclonic journey through Scrooge's transformation...The show uses a dizzying mix of music, including hip-hop, dancehall, pop, and reggae...this show hits the sweet spot for families grown tired of the traditional takes but still looking for a version true to the spirit(s) of the original. - The Chicago Reader With live beats...the show’s four performers pingpong between characters and costumes and musical styles and comedy and pathos with the passion and energy of kids in the schoolyard. The show is a full-throated, high-speed, vibrantly theatrical yawp. They love hip-hop and they are sharing that love with an audience so that the audience can love it too...how I felt when I walked out of “A Q Brothers’ Christmas Carol;”- a little bit exhausted but [also] completely energized...honest-to-god joy. I was 500 smiley face emoticons. - New City Stage.</image:caption>
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      <image:title>Reviews - On pen/man/ship by Christina Anderson</image:title>
      <image:caption>Directed by Lucie Tiberghien “Strong work being done by the cast, whose every reaction shines on their faces. I was impressed by Postell Pringle’s Cecil...a ship’s mate with a storied past...a character who seems at first like an allegorical representative of “crew,” until we start to understand how complex he is, and what an important role he’ll play in the story.” - Exeunt NYC “Directed by Lucie Tiberghien, pen/man/ship stars Kevin Mambo, Jared McNeill, Crystal Lucas-Perry, and Postell Pringle--a virtuoso cast playing an incendiary group of characters.” - StageBuddy</image:caption>
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      <image:title>Reviews - On the album the mess you made by Abcents + Postell</image:title>
      <image:caption>“Postell's impossibly flexible rhymes play with the measure like a cocky cat with a wounded mouse. His attitude shifts from the confrontational to the vulnerable, waxing and waning…” - Johnny Iguana, Grammy-nominated musician, songwriter  (The Claudettes, Oh My God, Junior Wells Band)</image:caption>
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      <image:loc>https://static1.squarespace.com/static/614a50c7455df918f8f710d2/t/614a6f3b27949d57c6486600/1632268319257/othello.jpeg</image:loc>
      <image:title>Reviews - On Othello: The Remix* by Q Brothers</image:title>
      <image:caption>While the comedy does ultimately overshadow the tragic dimensions of the story, Mr. Pringle is a commanding, virile presence. His transformation, under Iago’s manipulation, into a monster of sexual insecurity...we do see clearly a noble heart corrupted. - New York Times (*NYT Critics Pick) In the title role, Postell Pringle’s MC Othello builds intensely over the course of an hour and a half, forcefully self-destructing in a skillfully constructed murder scene. - The Chicago Critic</image:caption>
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      <image:title>Reviews - On The Matchmaker by Thorthon Wilder Directed by Henry Wishcamper (Goodman)</image:title>
      <image:caption>(Photo: Liz Lauren)</image:caption>
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    <lastmod>2021-09-23</lastmod>
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    <loc>https://www.postellpringle.com/connect</loc>
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    <lastmod>2021-09-22</lastmod>
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    <loc>https://www.postellpringle.com/coming-up</loc>
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    <lastmod>2021-10-26</lastmod>
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    <lastmod>2021-09-23</lastmod>
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    <lastmod>2021-09-21</lastmod>
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      <image:title>Work - Acting</image:title>
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    <lastmod>2021-04-20</lastmod>
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